diversity

Teacher-Student Conferencing: The Essential Component of English Learner Writing

by Susan Zimmerman-Orozco

Susan is an elementary ESL teacher in Montgomery County Public Schools and consultant with English Learner Portal.

I love co-teaching with the Lucy Calkins program. I get to use my expertise as the purveyor of academic language. At the same time I’m learning from my co-teacher, my mainstream students, and the Lucy Calkins writing guide.

Once or twice a week I plan and teach a whole-class lessons that ESOL-izes concepts that I know are mystifying my English learners, or it anticipates confusion in upcoming lessons by providing background knowledge I know my students and other diverse learners will lack. As the self-appointed expert in academic language instruction, I’m always ready with daily language objectives, strategies, and activities to provide support that will extend my students’ language skills. I’m especially proud that, at the same time, I’m probably extending the academic language of 70% of the rest of my diverse classroom.

Arguably, however, the most valuable component of the Lucy Calkins approach to writing, and where I feel I make my most valuable contribution, comes from the frequent opportunities it provides for teacher-student conferencing. In the traditional Writing Process approach, dedicated teacher-student conferencing doesn’t appear until quite far along the continuum, after students have brainstormed, created drafts, peer edited, and revised their work. English learners, though, as we know, need quite a bit of hand-holding and scaffolding to be successful writers, especially if we want them to advance in their proficiency by adding more academic-level vocabulary and complexity to their writing.

In our co-taught classrooms, daily, once a whole-class lesson is presented, students return to their places, usually with a writing partner, to work on their current writing. In our class, we maximize teacher-student conferencing time by grouping students at two large tables, each with a teacher. This configuration that allows us either to review student work in progress and make suggestions or to troubleshoot individual student needs as they arise, especially to answer their plaintive, “How do you spell…?” even though we invariably respond for the 100th time, “Sound it out, ” or “Look on the word wall.”

Our groups are fluid. Some students just prefer to work on their own, and we have some highly productive student partners who produce inspiring writing conferencing only with each other. I often work with non-English learners, and my amazing co-teacher, Tara, is so beloved by some of my English learner girls that they usually make a bee-line to her group. The point is that there are two of us, and we are both committed to getting our kids the individualized help they need to succeed as writers.

Furthermore, and frankly, as a school with a highly diverse population, some of our students come to us better prepared than others to work independently. As Tara commented, “Conferencing in a group limits unwanted behaviors that would distract others. In a group setting, sitting all together at the table, I can conference with one student, get him or her on the right track, and quickly move on.”

She continued, “I feel all of our students need support, and more than anything they need reassurance that they’re doing the right thing.” Referring to some of our students with behavior concerns, she added, “Sometimes kids who are the most reluctant writers act out because they don’t want to fail. If I’m there with them, insisting they can do it, and helping them, I can show them that writing doesn’t have to be a bad thing, and they CAN succeed.”

I know I’m not alone in feeling that the Lucy Calkins Writing program in particular, and probably teaching writing in general, is challenging when English learners comprise a large portion of our class. I feel fortunate to be able to support my students, and my colleagues, by co-teaching writing. I can’t think of any other content area where my particular expertise in academic language has been more beneficial, not only to students, but also to my colleague.

One of the most satisfying and unexpected outcomes of working with my co-teachers this year has been watching them evolve into educators who have become sensitized to and skillful in structuring their classrooms to better support their English learners. More and more often I look around my co-taught classroom at my colleague as she’s presenting the whole-class lesson, smile, and think, “My work here is done. I don’t think she even needs me…” For an EL educator, it’s the best feeling…ever!

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Writing with English learners: Why plagiarism is serious business

Frank Bonkowski is an educational writer, English language teacher, and e-learning specialist, passionate about learning and teaching. As a lover of writing, Frank has a twofold mission: to teach English learners to write better and to train language teachers in teaching effective academic writing. He was a teacher trainer at several universities, including McGill, Concordia, and TELUQ, a center of distance education. We are thrilled to have Frank as a member of our online course community at English Learner Portal.

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In today’s post, let’s look at ways you can help learners avoid plagiarism. The text is based on a lecture in Module 3 of my three-credit graduate course in teaching writing.

Why plagiarism is serious business

cartoongirlcomputer In this lecture, we tackle the serious problem of plagiarism. If a learner is caught plagiarizing, it can have serious consequences.

At college or university level, the least serious penalty could be getting a zero grade on an assignment; a more serious penalty would be failing the course altogether. The most serious penalty would be getting thrown out of the school.

Learners need to be able to properly paraphrase, summarize, and quote the ideas of others when doing research. In doing these things learners avoid plagiarism.

In this lecture, we’ll first look at who is guilty of plagiarism. Then, we’ll review two strategies for helping learners avoid plagiarism: taking notes and paraphrasing.

Who is guilty of plagiarism?

Ask learners if they have ever taken parts of someone’s writing without citing the source.

Ask learners if they have ever used quotations without giving credit.

Inexperienced writers make these mistakes. It’s easy, simple to do, and seems harmless. If learners haven’t mastered the intricacies of English, it may be tempting to plagiarize. This is true for both native and non-native speakers of English alike.

Plagiarism, also called “cyberplagiarism” by McWhorter, has increased dramatically with cartoonlightbulb the widespread use of the Internet (Successful 592).

It can take 3 different forms:

a) “borrowing” information from online sources without acknowledging it,
b) cutting and pasting material directly without citing the source,
c) buying essays or papers online and using them as your own work.

Copying the ideas of others is not new. Two thousand years ago, the Roman poet Martial complained about others stealing his poetry.

Plagiarism is not just a violation of another’s writing. it’s also harmful to creators of music, videos, and graphics. For example, here is an interesting anecdote.

Songwriters sometimes commit plagiarism and may get heavy fines if found guilty. In 2014, the Marvin Gaye family was awarded a whopping $ 7.3 million for copyright infringement of a 1977 Gaye song by another singer.

Any way you look at it, plagiarism is theft—the stealing of somebody else’s ideas. Plagiarism is just dumb.

So how can writers avoid plagiarism or be more conscious of it?

The answer is simple. They can learn and practice how to take notes and to paraphrase.

Tip #1 for avoiding plagiarism: Take Notes

nocountryforoldmen Learners need to get into the habit of reading carefully and taking good notes.

Here is a student example using the two-column method (which I explain in another lecture of the online course) presented in an academic English classroom course I teach. The student had to take notes using an online film review.

Film: “No Country for Old Men”

Keyword and questions

Unpredictable narrative
Breathtaking
Sanguinary film
Remarkably
Sharpest

Notes (key ideas and facts) A modern movie
“Remains remarkably grounded in the everyday”
“Sharpest Coen Bros. film in years”
“Excruciating violence to ratchet up the tension”
“Shocks ’round every plot twist”

Summary:

Review by Bob Mondello , art critic: A really great movie and even the best Coen’s Brothers film in a while.

The movie has a surprising narration and is remarkably authentic and realistic.

The violence keeps the tension high and shocks viewers at every turn in the plot.

Tip #2 for avoiding plagiarism: paraphrase

Paraphrasing is a restatement of an original text in the writer’s own words. It could be a restatement of an entire sentence, part of a sentence, or one or more paragraphs, written in about the same length as the original.

It shows that a writer understands clearly the meaning of the original text. Paraphrasing is a useful way for all writers, but particularly non-native speakers of English, to improve their writing skills.

Here is a useful 10-point paraphrasing checklist you can share with your students.

checklist

Sources:

Douglas, Scott Roy. Academic Inquiry: Writing for Post-secondary Success. Don Mills: Oxford UP, 2014. Print.

McWhorter, Kathleen T. Successful College Writing: Skills, Strategies, Learning Styles. 5th ed. Boston: Bedford St. Martin’s, 2009. Print.

Williams, Julia. “Unit 4: Art History.” Academic Connections 4. White Plains: Pearson Education, 2010. 75+. Print.

For more helpful teaching tips, enroll now in Teaching Writing to Intermediate and Advanced English Language Learners and earn 3 university credits.

In the next blog post, we will take a look at the SQ3R method based on a lecture in Module 4 of the writing course.

JOIN me on June 28 for a 2-hour online writing workshop

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10 Possible Alternatives to “International Night”

Today’s blog is written by Laura Gardner. Laura has 16 years of experience working in public education, refugee resettlement, and social work. While in public education, she worked as a district level manager for immigrant family and community engagement as well as a school social worker. Learn more about Laura on our English Learner Portal website.

Many schools across the U.S. host international or multicultural nights each year. At intnight these events, students and/or their families typically set up tables to highlight their countries and cultures and the rest of the students and families walk from table to table sampling food and looking at artifacts and maps. While organizers of these events have good intentions and aim to honor their students’ cultural backgrounds, sometimes these events can seem tokenistic. How can we build family comfort in schools throughout the school year? With 79% of teachers in the U.S. being white* and 25% of students being children of immigrants, getting to know the cultural backgrounds of students requires a deeper dive.

There are often two goals of international nights. The first is for students to learn more about other cultures and the second is for teachers to learn more about the backgrounds of their students and their families. With those goals in mind, what are 10 possible alternatives to international night?

Invite immigrant parents or community members to speak in your class about their background and culture or a particular topic (i.e. a Vietnamese refugee could speak to students who are learning about the Vietnam war, etc.).
Invite immigrant parents or community members to come to the classroom and share a story from their home country.
Visit the main places your students and their families spend their time (places of worship, stores, community centers, neighborhoods, etc.).
Travel as much as possible outside of the United States, particularly to the home countries of your students. Talk with students and their families about your experiences.
Conduct an immigrant parent panel. For this professional learning opportunity, invite 3-6 immigrant parents to form a panel. Have one educator ask questions to each parent such as “Can you tell us about schools in your home country?” and so on. Be sure to provide teachers in the audience with an opportunity to ask their own questions.
Invite immigrant parents to provide input on the rules and values that are practiced at school. Discuss any “cultural mismatches” between home and school.
Take an interest in immigrant parents’ approach to raising their children. Ask questions about their family life.
Ask immigrant parents or community members for information needed. Every time you seek background information on something from another country or culture, ask a parent from that culture (or student, if appropriate) to tell you what they know about that topic. For example, if you have a lesson on Chinese New Year, find a Chinese parent in your school or community leader to talk to for more information and/or invite the person to speak directly with your students. Resist the urge to Google for lesson plans when you have direct sources of information nearby.
Invite immigrant parents or community members to provide input on the curriculum.
Help students make connections between what they’re studying and the immigrant communities in their own town. For example, an IB (International Baccalaureate) class studying India could visit a local Indian organization rather than visiting the Indian embassy.

When you are ready to plan your schedule of parent/community events, please visit the English Learner Portal Resource Center for a free “Planning Checklist for ELL Family Nights”. You will find this document in the Family Engagement folder.

*https://www2.ed.gov/rschstat/eval/highered/racial-diversity/state-racial-diversity-workforce.pdf

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